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“That’s funny,” he said softly, his face inches from hers. “Because my true thing is: I didn’t buy the bookstore for the love of literature. I bought it because I saw you through the window of the café across the street, reading a research paper like it was the most fascinating thing in the world, and I thought, ‘That’s the person I want to be brave for.’”

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Research in narrative transportation suggests that readers invest in romantic storylines because they simulate two fundamental human needs: (the need for a secure bond) and validation (the need to be seen accurately by another). When two characters successfully navigate vulnerability to achieve mutual understanding, the reader experiences a vicarious reward—a sense of social bonding without real-world risk. “That’s funny,” he said softly, his face inches