Furthermore, the uncut cut includes two additional minutes of “tracking shots” through the train’s cargo cars. These are slow, steady, accompanied by a low-frequency drone (composer Michael Wandmacher’s best work). We see past victims—not dead, but hollowed out, kept alive in bags. These shots were cut from the R-rated version for being “too disturbing.” In the uncut, they are essential. They turn the train from a set piece into a character.
found the movie "borderline amusing" due to its incompetent plotting—such as wrestlers throwing away their weapons or athletes being easily overpowered by a single attacker. Missed Potential : A review on The Revenant Review
Trust us. The tracks hit different when you're not watching them through a screen.
