Plural Eyes 2.0 For Adobe Premiere !new! -

The footage on the timeline played on—the bride laughing, the groom crying, the repaired audio so clean it felt like a confession. Marco looked at the waveform, then back at the folder.

To understand why PluralEyes 2.0 was so revolutionary, you have to remember the workflow of 2010-2012. Filmmakers had just discovered that cameras like the Canon 5D Mark II and 7D could shoot beautiful, cinematic video. However, these cameras lacked professional audio inputs. The built-in microphones were terrible, and the automatic gain control (AGC) made even decent external mics sound hissy and compressed. Plural Eyes 2.0 for Adobe Premiere