But they forgot one crucial variable: the audience itself was aging. And they were hungry for stories that reflected their own complex lives.
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Hollywood is catching up, but it is still a laggard compared to the rest of the world. French cinema has never abandoned its mature actresses. Juliette Binoche (59), Isabelle Huppert (70), and Catherine Deneuve (80) routinely play leads in romantic dramas and thrillers. The French audience expects to see wrinkles; they see them as maps of experience, not flaws. But they forgot one crucial variable: the audience
Gone is the cookie-baking pushover. In her place stands the survivalist. I Care a Lot (2020) gave us Rosamund Pike (though young-ish) and Dianne Wiest as a con artist and her partner in crime. But the gold standard is The Lost Daughter (2021) where Olivia Colman plays a middle-aged academic who abandons the societal expectation of maternal joy. Similarly, Force Majeure and Triangle of Sadness feature older female characters who use their social invisibility to manipulate the system. Sandra Bullock Hollywood is catching up, but it