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When writing a fictional romance, the goal is to make the reader invested in the "journey" toward a satisfying resolution.

The best stories feature characters who have a reason not to be in a relationship. Perhaps they are afraid of vulnerability, haunted by a past betrayal, or focused entirely on a non-romantic goal. The romance serves as the catalyst for them to face their own flaws.

For decades, the default romantic storyline was heteronormative, monogamous, and ended with a wedding. Today, the genre is exploding into new dimensions.

If you are writing about your own relationship, experts at The Couple Summit suggest these steps:

We build shrines to fictional couples, cry over breakups between people who don’t exist, and spend countless hours analyzing the “will they/won’t they” tension of our favorite characters. But why? Why does the arc of a romance hold such gravitational power over our psyche?