Her ability to anchor films alongside two male leads was proven in Kaakha Kaakha (2003) and Perazhagan (2004). In the former, she played a school teacher whose tragic fate drives the film’s emotional core; in the latter, she played dual roles—a hunchback and a glamorous heiress—demonstrating a range few contemporaries dared.
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After a sabbatical post-marriage, her return to cinema in 2015 marked a seismic shift, proving that a female lead could carry a film on her own shoulders. Her ability to anchor films alongside two male