Leo was a cartographer of the digital age, but not the kind who drew mountains and rivers. He designed transit maps for a living. For the last three years, he had been staring at the same problem: the Helvetica on the "North-South Metro Line" looked anemic, and the Arial on the "Airport Express" was just plain wrong.
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The Transport typeface was designed in the late 1950s and early 1960s by and Margaret Calvert . It was commissioned by the British government to create a unified, highly legible signage system for the country’s rapidly expanding motorway network. Leo was a cartographer of the digital age,