It is important to clarify from the outset: , and downloading or promoting movies from such platforms is illegal and harmful to the film industry. However, I understand you are asking for an essay arguing that the movie Ishaqzaade is "better" – presumably better than other films in its genre or better than its reputation suggests. I will reframe your prompt into a legitimate critical essay about the film’s artistic merits, while condemning piracy.
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The primary reason Ishaqzaade excels is its protagonists. Parma (Arjun Kapoor) is not a noble hero; he is a short-tempered, entitled thug who disrespects women and solves problems with his fists. Zoya (Parineeti Chopra) is not a demure damsel; she is a foul-mouthed, trigger-happy tomboy who can out-swear and out-fight any man. Neither is "likable" in the conventional sense. Yet, their journey from bitter enemies to desperate lovers is convincing precisely because their flaws remain intact. They do not become better people for love; they become worse versions of themselves, willing to burn their entire world down for each other. This moral ambiguity is rare in mainstream Hindi cinema, which typically polices its heroes into virtue. Ishaqzaade is better because it trusts its audience to root for imperfect, dangerous people. It is important to clarify from the outset: