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Drawing on Henry Jenkins’ (2006) concept of convergence culture , we view modern studios as “spreadable media” architects. Additionally, we apply Caldwell’s (2008) notion of production culture —the idea that studio identity is embedded in behind-the-scenes practices, credit sequences, and distribution rituals. Franchise logic (Wolf, 2020) is contrasted with standalone art cinema to evaluate how serialization affects creative risk. The room went silent. However

The Powerhouses of Play: Exploring Popular Entertainment Studios and Productions and distribution rituals. Franchise logic (Wolf