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The most immediate difference in Ragnarok is its tone. While the previous Thor films dabbled in fish-out-of-water comedy, Ragnarok embraced full-blown absurdity. Waititi injected a "80s retro-futurist" vibe, driven by a synth-heavy score from Mark Mothersbaugh and a vibrant aesthetic that felt like a Jack Kirby comic book come to life.

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